"You won't have Nixon to kick around anymore ..."
-- Richard Nixon, on his 1962 loss to Pat Brown for the Governorship of California

That statement turned out, of course, not to be true; we would have Nixon to kick around for decades more. That statement also concealed a different truth, which is that Nixon -- the hunched, scowling, puritan-satyr of American politics -- could not only take a beating, but also dish one out. Frost/Nixon, Ron Howard's film adaptation of Peter Morgan's stage play, kicks Nixon around, but it also lets him kick back, as TV personality (not journalist or reporter, but personality) David Frost faces Nixon in a series of 1977 interviews for an ambitious, expensive and poorly-planned multi-night TV broadcast. Why would Nixon agree to an on-camera inquisition? Because Frost paid him -- $600,000 -- for the chance to do so, and because Nixon thought it might be a chance to re-emerge from his exile after resigning the presidency in 1974. Two men, their careers in decline, circling each other for a shot at redemption: Frost (Michael Sheen) is wagering his fortune on the chance to re-make his reputation; Nixon (Frank Langella), with neither reputation or fortune, is desperate for a chance to escape infamy.

But Frost/Nixon is not simply the equivalent of Thunderdome for readers of The Nation, where two men enter and one man leaves. Morgan's script is smart enough to make sure there are things hidden under that clash, a quieter film about character and communication, modern media and ancient principles. And we also get the interview field of combat, which drapes the slick surface of modern manners over the kind of brute, bloody battle you normally see only in nature documentaries. The film, like Frost's interviews, is not merely about Watergate -- which is good, because we have, I should think, drained that well of venality fairly dry -- but instead about bigger issues of accountability and process and principle. Frost, stripped of all pretense, was asking Nixon a good question: Who the hell do you think you are? Nixon, stripped of all pretense, was asking an equally good question: Who the hell are you to ask?

After blowing up baddies in this week's surprisingly entertaining Punisher: War Zone, it looks like Ray Stevenson is now taking aim at Denzel Washington's protagonist in The Book of Eli. In the near future, Washington's on a mission to deliver a book that may hold the key to nothing less than Our Salvation (not to mention so very many late fees), with Mila Kunis at his side and Gary Oldman on his tail, and now -- according to Variety -- Stevenson (HBO's "Rome") has this makeshift messiah in his sights.

The post-apocalyptic thriller marks the return of the Hughes Brothers behind the camera for the first time since 2001's From Hell, and between them and a cast of this talent (yes, that includes Kunis, stop snickering), they might manage to make this somewhat less derivative than it already sounds, to echo Monika's sentiments.

Production starts in early 2009 for a release date in early 2010.

This first bit might be a bit off the cinematic path, but it's something strange enough to rival those stories of a frozen Walt Disney. You might have heard that David Tennant (our latest Doctor Who) is starring in a stage version of Hamlet over in the UK. Well, it seems that he wasn't using a fake skull -- in fact, it was the skull of a Shakespeare enthusiast, concert pianist and Holocaust survivor Andrew Tchaikowsky. Tennant leaked the information, and now the BBC reports that it will no longer be used so that the audience wouldn't be distracted. Bummer for Tchaikowsky's dying wish, but imagine the possibilities. Is bone donation the next wave in creative appreciation?

In other dark news, Variety reports that the classically creepy Michael Wincott (Top Dollar from The Crow) is teaming up with Swedish actor/director Rafael Edholm for an untitled Sweden-set drama. According to Wincott: "Three people meet, something may have happened in their teenage years, and this will now result ín one death. It is drama, thriller and dark comedy." Unfortunately, we won't learn what that all means for a while -- production isn't slated to start until February 2010.

Finally, we've got a scribe for the upcoming remake of Captain Blood. The Hollywood Reporter posts that John Brownlow, writer of 2003's Sylvia, has grabbed the gig. If you're not familiar with the Oscar-nominated original, Errol Flynn starred as a doctor convicted of treason who is sold into slavery only to escape and become a pirate. This whole thing makes me itch for Cary Elwes to return to his escaped prisoner-turned-pirate roots. Who's with me?

Holiday humor proved to be what the public was looking for over Thanksgiving weekend as Four Christmases led the pack. Hugh Jackman and Nicole Kidman's historical epic Australia took fifth, while last week's third newbie Transporter 3 finished way down in seventh place. Here's the top five:

1. Four Christmases: $31 million
2. Bolt: $26.5 million
3. Twilight: $26.3 million
4. Quantum of Solace: $18.8 million
5. Australia: $14.8 million

We've got three new releases this week:

Cadillac Records
What's It All About: Set in the 1950s, Cadillac Records follows the lives of several music legends including Muddy Waters, Leonard Chess, Little Walter and Howlin' Wolf and Elvis Presley.
Why It Might Do Well: A 60% fresh rating at Rottentomatoes.com.
Why It Might Not Do Well: The relatively small release will keep it out of the top five.
Number of Theaters: 600
Prediction: $5 million


Punisher: War Zone
What's It All About: Ray Stevenson takes over the title role of the skull-wearing, gun-toting anti-hero and this time he's taking on a mobster called Jigsaw.
Why It Might Do Well: Who doesn't like to watch things blow up?
Why It Might Not Do Well: The Punisher is kind of the ugly stepchild of Marvel Superheroes. Despite two previous films he's not particularly well known outside of comic book circles and this film lacks the star power of Iron Man and The Incredible Hulk.
Number of Theaters: 2,400
Prediction: $9 million

If you were itching for Johnny Depp to get into some more normal fare (rather than Mad Hatters and slaying barbers), this should be the ticket. Variety reports that Depp's production company (Infinitum Nihil) has grabbed the rights to Nick Tosches' novel In the Hand of Dante -- to be a potential starring vehicle for Depp.

Bred out of Dante's The Divine Comedy, the novel deals with parallel stories -- a 14th-century Italy where Dante tries to complete the text, alongside a modern story of Tosches being asked to authenticate a manuscript that might be Dante's original. But Depp wouldn't be tackling the part of Dante (which I find a bit surprising considering all the iconic roles he takes on), but rather Tosches. I have to say -- it'd be nice to see him normalize himself a bit.

It also sounds like a funky project -- sort of like Adaptation meets 14th-century icons and historical authentication. And hey, I'm up for any literature-centric films that don't focus on the overused tendency to make it all romance.

When we last heard from Sherwood Forest, there was a bit of confusion as to who exactly Russell Crowe was playing in Nottingham. Was he Robin Hood? Was he the Sheriff of Nottingham? Were they the same guy? Did they change it up, halfway through? Those who had read the initial script reported they were two different characters -- something that was suggested by hints of a "love triangle" between Robin, Nottingham, and Maid Marian.

Well, MTV caught up with Brian Grazer, who set the record straight on all the character confusion ... well, kind of. "The two role confusion is that what Robin Hood does is he sees Nottingham in battle very early in the movie and Nottingham dies. And Robin Hood takes over the identity of Nottingham. That's how it plays out." Grazer also described the film as an "origin story" of the characters.

I'm really curious if "origin story" means the film is setting itself up as the "real story" behind the legends, or if this is an origin reinvention / franchise in the vein of Guy Ritchie's Sherlock Holmes? If it's the former (and it probably is), meh. I'm throughly sick of that trend, especially as the "true" stories end up even more inaccurate than the fantasy versions. But if it's the latter, and it meant a few medieval outings with Russell Crowe, well, that's would be pretty exciting. Dreamy, even.

All reports of "endlessly delayed" may also have been exaggerated -- Grazer also reports that they're waiting on a final rewrite from Brian Helgeland, and that he fully expects that the film will start shooting in March 2009. Huzzah!

Sure enough, the first week of December brings the first formal slew of awards nominations, today's coming from Film Independent's Spirit Awards. The Hollywood Reporter bring us the list of nominees, with dramas Ballast, Frozen River and Rachel Getting Married each tied for the most nominations (six a piece, including Best Feature; the other two nominees there are Wendy and Lucy and The Wrestler).

Now, these awards aren't necessarily Oscar precursors or anything -- some of these films are just too small -- but it's difficult to deny that the likes of Milk, The Visitor, The Wrestler, Rachel, River and documentary contender Man on Wire are all looking at the first of many nominations in the coming weeks, most of which I can safely say are or will be deserving. I can't speak for Ballast, but it's been earning attention in the indie world for months and months, so do as I do and keep an eye out for it.

The greatest assurance can only be taken once the Spirit Awards are awarded on February 21. See the full list of nominees after the jump.

White Dog
Samuel Fuller's follow-up to The Big Red One was shelved by Paramount Pictures before its scheduled release in 1982 because of fears that its premise -- a white dog has been trained to attack black people -- would stir up more controversy than box office. Fuller was understandably outraged; in his autobiography, A Third Face, he wrote: "The studio has used me as a scapegoat for their lack of determination and courage." The film, co-written by Curtis Hanson (LA Confidential), with a score by the legendary Ennio Morricone, later received acclaim when it was released in Europe but never received a home video release in the US and has rarely been seen here. Kristy McNichol plays an actress who adopts the dog; Paul Winfield is as an anthropologist who tries to reverse the training. The Criterion Collection DVD includes a featurette with Hanson, producer Jon Davison, and Fuller's widow, plus a print interview with the dog trainer and essays by J. Hoberman and Armond White. I'm buying, but even if you're not a huge fan of Samuel Fuller, you'd want to check it out. Rent it.

Step Brothers
Combining Will Farrell, John C. Reilly, Richard Jenkins, and Mary Steenburgen under one roof, Step Brothers mines familiar territory with sharp timing and plenty of belly laughs. Mine is, admittedly, a distinctly minority opinion. Available on DVD (single-disc rated, single-disc unrated, two-disc unrated) and Blu-ray, with an audio commentary by Farrell, Reilly, director Adam McKay, and a score by Jon Brion. Other features include deleted scenes and alternate takes, a gag reel, 'making of,' and a couple of gag featurettes. Rent it.

Much more on Wanted, The X-Files: I Want to Believe, and The Chronicles of Narnia: Prince Caspian after the jump, plus Indies on DVD, Blu-ray Picks, and Collector's Corner.

When Cinematical visited the set of Sherlock Holmes last month, we certainly wanted to learn a lot more about this much-anticipated film (which we did), but we also wanted to find out once and for all whether the classic Holmes villain Moriarty would make an appearance. Up until this point, Lord Blackwood (Mark Strong) was the only villain on record, and so far folks behind the scenes have managed to successfully dodge the big Moriarty question. That is, until now.

Note: Watch for spoilers below ...

While we received a number of shady answers (followed by evil smirks) from the cast and crew regarding Moriarty during our set visit, IGN managed to get someone to talk: Mr. Mark Strong. At the British Independent Film Awards over the weekend, Strong said this about Moriarty's involvement: "Moriarty's in it ... but you don't really see him. I think he's there because if the franchise carries on, there's a possibility that he will appear in a larger guise. But for the purposes of this one and the detective narrative, I'm the guy that Sherlock's after, Lord Blackwood. And he's a cultist/Satanist lord who is the ultimate cad." So he's there, but you don't see him? Hmmm. I guess we'll take that as solid confirmation ... until we find out who's playing him (ahem, Russell Crowe?).

Michael Marshall is one lucky writer -- he published a well-received trilogy, which was adapted into a comic series by Zenescope, and now The Straw Men are coming to the big screen. According to Variety, Benderspink has snatched the rights to the to the novels and the comic books, presumably in order to adapt some combination of them.

Unfortunately, I can't rustle up a preview of the comic -- but you can check out the gorgeously creepy covers on Zenoscope. I'm not sure I could have these laying beside my bed, they're pretty nightmarish.

It sounds like the book is, too. The story begins with two men calmly opening fire at a McDonald's in Palmerston, Pennsylvania before jumping ahead ten years to meet up with Ward Hopkins, who is convinced the death of his parents was no accident. Elsewhere, a 14 year old girl is kidnapped by a serial killer, and two FBI Agents are on the manhunt to find him. These events are no coincidence, they're the first clues to the nightmarish individuals known as The Straw Men. Marshall's thriller has received nothing but praise -- Publisher's Weekly squeamishly noted its "dismemberment scenes," Stephen King praised it, and Newsarama is calling it "one of the best horror thrillers ever written."

There's no director or screenwriter attached yet -- and Benderspink is adapting every other graphic novel known to man, so this could sit in pre-production for awhile, which gives us all time to read the book. Has anyone out there read it or the comic? Tell us everything (well, not everything, but give us a good review) in the comments below.